{"id":2889,"date":"2024-08-18T13:11:00","date_gmt":"2024-08-18T13:11:00","guid":{"rendered":"https:\/\/www.fabyc.co.uk\/?p=2889"},"modified":"2025-09-08T11:59:44","modified_gmt":"2025-09-08T11:59:44","slug":"revisions-to-spite","status":"publish","type":"post","link":"https:\/\/www.fabyc.co.uk\/index.php\/revisions-to-spite\/","title":{"rendered":"Revisions to Spite"},"content":{"rendered":"<\/p>\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/www.fabyc.co.uk\/wp-content\/uploads\/2025\/02\/HereNow-Performance-At-Festival-24-photo-Aleksandra-Skibniewska-59-1024x683.jpg\" alt=\"\" class=\"wp-image-2891\" srcset=\"https:\/\/www.fabyc.co.uk\/wp-content\/uploads\/2025\/02\/HereNow-Performance-At-Festival-24-photo-Aleksandra-Skibniewska-59-1024x683.jpg 1024w, https:\/\/www.fabyc.co.uk\/wp-content\/uploads\/2025\/02\/HereNow-Performance-At-Festival-24-photo-Aleksandra-Skibniewska-59-300x200.jpg 300w, https:\/\/www.fabyc.co.uk\/wp-content\/uploads\/2025\/02\/HereNow-Performance-At-Festival-24-photo-Aleksandra-Skibniewska-59-768x512.jpg 768w, https:\/\/www.fabyc.co.uk\/wp-content\/uploads\/2025\/02\/HereNow-Performance-At-Festival-24-photo-Aleksandra-Skibniewska-59-1536x1024.jpg 1536w, https:\/\/www.fabyc.co.uk\/wp-content\/uploads\/2025\/02\/HereNow-Performance-At-Festival-24-photo-Aleksandra-Skibniewska-59-2048x1365.jpg 2048w, https:\/\/www.fabyc.co.uk\/wp-content\/uploads\/2025\/02\/HereNow-Performance-At-Festival-24-photo-Aleksandra-Skibniewska-59-290x193.jpg 290w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<p><em>Revisions to Spite<\/em>&nbsp;is a durational performance exploring the violent constructions of gender, desire, and social expectation through deliberate acts of self-transformation. The work begins with the performer reclining on a red couch, adorned in a matching red dress, pink face mask, and glittering silver heels, their chest exaggerated with prosthetic breasts. Two large kitchen knives become extensions of their body &#8211; instruments of both threat and precision.<\/p>\n<p>The performance unfolds as a systematic dismantling of feminine artifice. The performer&#8217;s breathing becomes labored, theatrical, as they begin cutting away their dress with surgical precision, each slice bringing the blade dangerously close to skin. The revelation of a bra stuffed with raw meat ribs transforms the feminine form into something visceral and abject. Wine poured over their head creates a baptism of sorts &#8211; a christening into &#8220;dirtiness&#8221; that society projects onto certain bodies.<\/p>\n<p>The removal of the face mask exposes grotesque plastic lips and a mouth reduced to void, which the performer fills with cucumber before slicing it away with knife strokes that blur the line between self-care and self-harm. The raw meat ribs become a crown, a parody of both feminine adornment and masculine conquest.<\/p>\n<p>The final transformation sees the performer methodically constructing masculine presentation &#8211; pink scarf replaced by white blouse, wine-sticky skin concealed beneath blazer and tie. The &#8220;manning-up&#8221; sequence becomes both costume change and social ritual, revealing gender as performance requiring constant revision.<\/p>\n<p>Through these deliberate acts of spite against societal expectations, Fabyc creates a space where the violence inherent in gender construction becomes visible, asking what bodies must endure to fit within acceptable presentations of self.<\/p>\n<p><em>Duration: Approximately 45 minutes<\/em>&nbsp;<em>Materials: Kitchen knives, raw meat, wine, clothing, prosthetics<\/em>&nbsp;<em>Documentation: Video, photography<\/em><\/p>\n<p><em>Venue P(art)y Here and Now Festival Courthouse Gallery Ennistymon&nbsp;Ireland<\/em><\/p>\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/www.fabyc.co.uk\/wp-content\/uploads\/2025\/02\/HereNow-Performance-At-Festival-24-photo-Aleksandra-Skibniewska-61-1024x683.jpg\" alt=\"\" class=\"wp-image-2893\" srcset=\"https:\/\/www.fabyc.co.uk\/wp-content\/uploads\/2025\/02\/HereNow-Performance-At-Festival-24-photo-Aleksandra-Skibniewska-61-1024x683.jpg 1024w, https:\/\/www.fabyc.co.uk\/wp-content\/uploads\/2025\/02\/HereNow-Performance-At-Festival-24-photo-Aleksandra-Skibniewska-61-300x200.jpg 300w, https:\/\/www.fabyc.co.uk\/wp-content\/uploads\/2025\/02\/HereNow-Performance-At-Festival-24-photo-Aleksandra-Skibniewska-61-768x512.jpg 768w, https:\/\/www.fabyc.co.uk\/wp-content\/uploads\/2025\/02\/HereNow-Performance-At-Festival-24-photo-Aleksandra-Skibniewska-61-1536x1024.jpg 1536w, https:\/\/www.fabyc.co.uk\/wp-content\/uploads\/2025\/02\/HereNow-Performance-At-Festival-24-photo-Aleksandra-Skibniewska-61-2048x1365.jpg 2048w, https:\/\/www.fabyc.co.uk\/wp-content\/uploads\/2025\/02\/HereNow-Performance-At-Festival-24-photo-Aleksandra-Skibniewska-61-290x193.jpg 290w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/p>\n<p class=\"has-text-align-right\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Revisions to Spite&nbsp;is a durational performance exploring the violent constructions of gender, desire, and social expectation through deliberate acts of self-transformation. The work begins with the performer reclining on a red couch, adorned in a matching red dress, pink face mask, and glittering silver heels, their chest exaggerated with prosthetic breasts. Two large kitchen knives [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":2891,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[9],"class_list":["post-2889","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-works","tag-performance"],"_links":{"self":[{"href":"https:\/\/www.fabyc.co.uk\/index.php\/wp-json\/wp\/v2\/posts\/2889","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.fabyc.co.uk\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.fabyc.co.uk\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.fabyc.co.uk\/index.php\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.fabyc.co.uk\/index.php\/wp-json\/wp\/v2\/comments?post=2889"}],"version-history":[{"count":9,"href":"https:\/\/www.fabyc.co.uk\/index.php\/wp-json\/wp\/v2\/posts\/2889\/revisions"}],"predecessor-version":[{"id":4282,"href":"https:\/\/www.fabyc.co.uk\/index.php\/wp-json\/wp\/v2\/posts\/2889\/revisions\/4282"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.fabyc.co.uk\/index.php\/wp-json\/wp\/v2\/media\/2891"}],"wp:attachment":[{"href":"https:\/\/www.fabyc.co.uk\/index.php\/wp-json\/wp\/v2\/media?parent=2889"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.fabyc.co.uk\/index.php\/wp-json\/wp\/v2\/categories?post=2889"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.fabyc.co.uk\/index.php\/wp-json\/wp\/v2\/tags?post=2889"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}